Rahppoye, Hekmat-e Honar

Rahppoye, Hekmat-e Honar

Number of Volumes 5
Number of Issues 8
Number of Articles 101
Number of Contributors 155
Article View 179,164
PDF Download 99,065
View Per Article 1773.9
PDF Download Per Article 980.84
    --
Number of Submissions 251
Rejected Submissions 104
Rejection Rate 41
Accepted Submissions 101
Acceptance Rate 40
Time to Accept (Days) 66
Number of Indexing Databases 17
Number of Reviewers 80
  • Rahpooye Hekmat-e Honar is a bi-monthly open access journal (to the text of articles) published by Soore University. All articles submitted to this journal will be reviewed by Hamanandjoo’s Similar Identifier software to ensure their authenticity and then carefully evaluated by reputable and experienced judges. This publication uses the specialized arbitration policy of two anonymous people in reviewing articles and deals with fundamental issues in art wisdom, especially Islamic arts. This journal follows the principles and criteria of the Publishing Ethics Committee (COPE) in reviewing and publishing scientific articles.
  • “This journal is a member of Committee on Publication Ethics (COPE) and complies with the highest ethical standards in accordance with ethical laws”. 

 

Rahpooye Hikmat-e Honar magazine has already obtained a "certificate of approval for entering the process of evaluation and ranking of publications" and is also indexed on the website of the Ministry of Science in the section of authoritative publications and is waiting for a review to determine the rank.

  • Before registering and submitting the article, see the necessary registration information, how to submit the paper and schedules (reviewing and judging the article), etc., in the registration information section and related links.
  • Please refer to the author's guide.
  • Please note that the submitted article is related to the theological and philosophical approach of the journal. For information, refer to the information section of the journal, goals, and perspectives, and read the Aims and Scope.
    Arranging the content of the main sections of the article according to the description of the "Guide for Authors" is effective as a result of judging.
  • Informs esteemed authors, before submitting an article for Rahpooye Hekmat-e Honar, you must first register your article in the Iranian Institute of Information Science and Technology (Irandoc) at https://tik.irandoc.ac.ir and then submit the result. If the similarity is less than 20%, upload it to the publication system along with the article and other appendices.
  • To do Irandak replication, the email of the editor of Rahpooye Hekmat-e Honar is philosophy.rahpooye@gmail.com.

 

Specialization: Eastern Philosophy and Islamic Art Wisdom
Country of Publication: 
Iran
Publisher: Soore International University
Start of Publication: 
2022 (1401 in the Persian calendar)
Journal Type: 
Scientific Journal
Types of Articles Accepted: 
Scientific-Research Articles
Publication Frequency: 
Biannual (Two Issues per Year)
Format: 
Print and Electronic
Ranking in 2023 by the Ministry of Science: 
B
Journal Language: 
Persian with Extended English Abstracts
Article Review and Acceptance Fees: 
Free
Initial Review Timeframe: 
One Week
Average Peer Review Time: 10 Weeks
Review Type: 
Double-Blind Peer Review (Two Reviewers)
Open Access: 
Free and Open Access to Articles
Print ISSN: 
2980-812X
Electronic ISSN: 
2980-8138
Journal Email:
philosophy.rahpooye@soore.ac.ir
philosophy.rahpooye@gmail.com

 

Current Issue: Volume 5, Issue 1 - Serial Number 8, April 2026, Pages 1-181 

Keywords Cloud

  • aesthetics
  • persian painting
  • Islamic art
  • Ibn al-Haytham
  • Beauty
  • Pierre Bourdieu
  • traditionalism
  • Imagination
  • Mulla sadra
  • symbol
  • transcendental wisdom
  • postmodernism
  • Islamic Wisdom
  • al-Manazir
  • light
  • Iconography
  • perspective
  • art
  • Sacred art
  • Islamic architecture
  • Culture
  • Semiotics
  • Representation
  • Traditional Art
  • Sociology of Art
  • Innovation
  • sublime
  • Thomas Aquinas
  • Islamic mysticism
  • Safavid
  • Painting
  • Ethics
  • Hermeneutics
  • Aristotle
  • Mimesis
  • the Order of Chivalry
  • second step of the revolution
  • artistic mysticism
  • Aesthetic Categories
  • Imami theology
  • artificial arts
  • William Chittick
  • glory and beauty
  • Gothic Era
  • Death and Life
  • Chinese Painting
  • Eiichiro oda
  • Melancholia
  • wild strawberries
  • soil
  • Contemporary art of Islamic countries
  • amazement
  • ideology
  • Islamic Geometry
  • field of painting production
  • ritual art
  • Tomb of Sultan Shahabuddin
  • Ferdowsi Shahnameh
  • Junaid
  • rard Genette, Farah Ossouli, Persian Painting, Me and Goya
  • trilogy
  • Haft Aurang
  • Gestalt
  • Manga
  • Performance
  • the Repeated Patterns
  • Qajar visual culture
  • Samurai
  • Illustrated Khamsah
  • Myth-Text
  • Light Installation
  • Art Theory
  • Qurchyan
  • Mixed Orders
  • Ibn Arabi
  • Yuan dynasty
  • presence
  • Jung
  • Muraqqa
  • Dante Alighieri
  • Imaginary visions
  • Burckhardt
  • visual elements
  • caricature
  • Turkmen carpet
  • Simurgh
  • historical approach
  • Night Poem
  • Islamic Iran
  • textiles
  • Nashmi Kamangar
  • Perfect human being
  • Toghor Gol
  • Law
  • Existentialism
  • artistic adaptation
  • Iranian modernist painting
  • excellence in design
  • Indian performance
  • Tepe Giyan
  • Mysticism
  • Nasrullah Kasraian
  • Star-Shaped Tiles
  • practical mysticism
  • Eric Newton
  • tomb pall
  • Akhavan al-Safa
  • purposiveness
  • The process of creating paintings
  • muthos
  • Yijing
  • Neo-Traditionalism
  • infinite multiplicity of beings
  • mural
  • the Process of creating an artwork
  • Foucault
  • Holy Shrine of Imam Reza
  • Poetics
  • Islamophobia
  • Fatutnameh
  • Islamic civilization
  • Byung-Chul Han
  • Kaaba
  • War Art
  • fabric
  • Arabesque (Islimi) motifs
  • Traditional Japanese Culture
  • Sacred Numbers
  • Visual Perception
  • Gilbert Durant
  • Reason
  • jar
  • Saqqakhaneh movement
  • Dressmaking
  • Middle Ages
  • Intertextuality, Transtextuality, Hypertextuality, Gé
  • user
  • Sartre
  • Sadraei love
  • the One-being
  • Show
  • Ibn ʿArabī
  • Sasanian art
  • Isfahan School
  • Tectonic Orders
  • meaning
  • Panofsky
  • Stylization
  • Hikmii Art
  • Aeschylus
  • Words and Meanings
  • Sultan Mohammad the Painter
  • conquest narrative
  • Haft Tanan
  • painting of the Islamic period
  • order
  • Principality of Existence
  • Geishe doll
  • Islamic aesthetics
  • Henry Carbone
  • highperformance architecture
  • Seal Impression
  • Folk story
  • explanation
  • Sassanid art
  • productive imagination
  • Archaeology
  • Nastaliq
  • coexistence
  • Punishment
  • Ilkhanate dynasty
  • Al-Mizan
  • Meraj
  • Theoretical Framework
  • Qajar
  • Ornaments of Islamic Architecture
  • Jalil Ziapour
  • Heaven
  • posthumanism
  • Early Elamite Period
  • Christian theology
  • Sultan Ali Mashhadi
  • Fasali
  • Photography
  • Persian Miniature
  • Logical Evaluation
  • Phenomenology of perception
  • experiential learning
  • Lithographed Editions
  • Mystical wisdom
  • Political-Cultural Discourse
  • theory of Distinction
  • Kazem Chalipa
  • Kerman Carpet
  • Cultural Capital
  • the connection between painting and Persian language and literature
  • Humanistic Art
  • Work of Art
  • Qesh
  • metaphor

Related Journals