Rahppoye, Hekmat-e Honar

Rahppoye, Hekmat-e Honar

Number of Volumes 5
Number of Issues 8
Number of Articles 113
Number of Contributors 175
Article View 185,357
PDF Download 103,566
View Per Article 1640.33
PDF Download Per Article 916.51
    --
Number of Submissions 258
Rejected Submissions 104
Rejection Rate 40
Accepted Submissions 112
Acceptance Rate 43
Time to Accept (Days) 68
Number of Indexing Databases 17
Number of Reviewers 81
  • Rahpooye Hekmat-e Honar is a bi-monthly open access journal (to the text of articles) published by Soore University. All articles submitted to this journal will be reviewed by Hamanandjoo’s Similar Identifier software to ensure their authenticity and then carefully evaluated by reputable and experienced judges. This publication uses the specialized arbitration policy of two anonymous people in reviewing articles and deals with fundamental issues in art wisdom, especially Islamic arts. This journal follows the principles and criteria of the Publishing Ethics Committee (COPE) in reviewing and publishing scientific articles.
  • “This journal is a member of Committee on Publication Ethics (COPE) and complies with the highest ethical standards in accordance with ethical laws”. 

 

Rahpooye Hikmat-e Honar magazine has already obtained a "certificate of approval for entering the process of evaluation and ranking of publications" and is also indexed on the website of the Ministry of Science in the section of authoritative publications and is waiting for a review to determine the rank.

  • Before registering and submitting the article, see the necessary registration information, how to submit the paper and schedules (reviewing and judging the article), etc., in the registration information section and related links.
  • Please refer to the author's guide.
  • Please note that the submitted article is related to the theological and philosophical approach of the journal. For information, refer to the information section of the journal, goals, and perspectives, and read the Aims and Scope.
    Arranging the content of the main sections of the article according to the description of the "Guide for Authors" is effective as a result of judging.
  • Informs esteemed authors, before submitting an article for Rahpooye Hekmat-e Honar, you must first register your article in the Iranian Institute of Information Science and Technology (Irandoc) at https://tik.irandoc.ac.ir and then submit the result. If the similarity is less than 20%, upload it to the publication system along with the article and other appendices.
  • To do Irandak replication, the email of the editor of Rahpooye Hekmat-e Honar is philosophy.rahpooye@gmail.com.

 

Specialization: Eastern Philosophy and Islamic Art Wisdom
Country of Publication: 
Iran
Publisher: Soore International University
Start of Publication: 
2022 (1401 in the Persian calendar)
Journal Type: 
Scientific Journal
Types of Articles Accepted: 
Scientific-Research Articles
Publication Frequency: 
Biannual (Two Issues per Year)
Format: 
Print and Electronic
Ranking in 2023 by the Ministry of Science: 
B
Journal Language: 
Persian with Extended English Abstracts
Article Review and Acceptance Fees: 
Free
Initial Review Timeframe: 
One Week
Average Peer Review Time: 10 Weeks
Review Type: 
Double-Blind Peer Review (Two Reviewers)
Open Access: 
Free and Open Access to Articles
Print ISSN: 
2980-812X
Electronic ISSN: 
2980-8138
Journal Email:
philosophy.rahpooye@soore.ac.ir
philosophy.rahpooye@gmail.com

 

Current Issue: Volume 5, Issue 1 - Serial Number 8, April 2026, Pages 1-181 

Keywords Cloud

  • Islamic art
  • aesthetics
  • Ibn al-Haytham
  • persian painting
  • traditionalism
  • Beauty
  • Pierre Bourdieu
  • Imagination
  • Semiotics
  • Mulla sadra
  • symbol
  • Traditional Art
  • Aristotle
  • light
  • art
  • Representation
  • Iconography
  • Ibn Arabi
  • Islamic Wisdom
  • postmodernism
  • al-Manazir
  • perspective
  • Visual Perception
  • Thomas Aquinas
  • Islamic architecture
  • transcendental wisdom
  • Ethics
  • Sacred art
  • Safavid
  • sublime
  • Hermeneutics
  • Islamic mysticism
  • Painting
  • Sociology of Art
  • Innovation
  • Culture
  • Erwin Panofsky
  • Shiʿi sacred space
  • pilgrimage experience
  • Junaid
  • rard Genette, Farah Ossouli, Persian Painting, Me and Goya
  • Reason
  • Light Installation
  • Ferdowsi Shahnameh
  • field of painting production
  • Suhrawardi
  • tomb pall
  • Tepe Giyan
  • amazement
  • Nasrullah Kasraian
  • Star-Shaped Tiles
  • Akhavan al-Safa
  • Yijing
  • muthos
  • IKHWĀN AL-ṢAFĀ
  • Neo-Traditionalism
  • mural
  • Foucault
  • Holy Shrine of Imam Reza
  • Poetics
  • Fatutnameh
  • Byung-Chul Han
  • Fasali
  • Jamkaran Mosque
  • ideology
  • Angel
  • jar
  • excellence in design
  • National identity
  • Contemporary art of Islamic countries
  • Iranian modernist painting
  • Toghor Gol
  • soil
  • evil
  • Nashmi Kamangar
  • Illustrated Khamsah
  • Chinese Painting
  • Sassanid art
  • discursive approach
  • highperformance architecture
  • Henry Carbone
  • Hazrat Ali (AS)
  • explanation
  • Archaeology
  • Punishment
  • Ilkhanate dynasty
  • Meraj
  • Theoretical Framework
  • historical approach
  • Ornaments of Islamic Architecture
  • Jalil Ziapour
  • Islamic Iran
  • Christian theology
  • Educational Illustration
  • Atabegs
  • Logical Evaluation
  • Phenomenology of perception
  • experiential learning
  • Existentialism
  • theory of Distinction
  • artistic adaptation
  • the connection between painting and Persian language and literature
  • Qesh
  • Simurgh
  • Theo van Leeuwen
  • Cartesian subject
  • Discourse
  • Roland Barthes
  • Divine Names
  • glory and beauty
  • Cultural semiotics
  • Lars von Trier
  • Ramz al-Ryahin
  • Sculpture
  • Gilbert Durand
  • color and light
  • object
  • Theopoetics
  • Yaqzah
  • Dante’s “Divine Comedy”
  • Metamorphosis
  • sacrifice
  • Sadraei love
  • Al-Fann
  • Tabriz Safavid Era
  • Ikhwan al-Safa
  • Principality of Existence
  • order
  • caricature
  • conquest narrative
  • Sultan Mohammad the Painter
  • Imaginary visions
  • the Repeated Patterns
  • Words and Meanings
  • Aeschylus
  • Islamic civilization
  • meaning
  • Imam Ali
  • Tectonic Orders
  • Islamic aesthetics
  • Gestalt
  • Tehran Mosque-Schools
  • Woman\'s position
  • Geometric Structure
  • Art Criticism
  • transcendent wisdom
  • A Separation
  • Pahlavi era
  • Indian art
  • Jani ibn Bahram Farangi-saz
  • Persian Textbooks
  • Dramaturgy؛ Manifestation؛ Marcel&rsquo
  • Installation art
  • Kamal al-Din Bihzad
  • mechanical thought
  • Not Architecture
  • Renaissance
  • Shusterman
  • Sasanian art
  • Khunireth
  • Traditional Art Education
  • Tiling
  • Historicism
  • Qajar
  • Freud
  • FARABI
  • Symbolic art
  • Paul Ricoeur
  • Byzantine Art
  • Transcendence
  • Chitsazan\'s Fotovvatnameh
  • Not Landscape
  • Master-Apprenticeship Education System
  • Christian Wisdom
  • Diurnal and Nocturnal Regimes
  • hamd
  • Humanism
  • I
  • The Animal movie
  • Qalandar darvish
  • Art Definition
  • guild relations
  • Humor
  • Frithjof Schuon
  • Second Pahlavi period
  • Genealogy
  • Interpretation
  • suluk Stages
  • s thought؛ Islamic mysticism؛ Play
  • Isfahan school painting
  • traditionalist philosophers
  • Abri
  • the 20-year visioning document of Iran
  • Abkenar village
  • Writing in Visual Arts
  • Jazayeri
  • Floral Motifs
  • World
  • Ibn ʿArabī
  • Horse Motif

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